In later years, artists like Mimmo Rotella, Christo, and Niki de Saint Phalle also joined the movement. Artists who signed the document were Arman, Daniel Spoerri, Jean Tinguely, Raymond Hains, Francois Dufrene, and Jacques de la Villegle. The Manifesto was signed by the artist himself, Restany, and six other people. The Nouveau réalisme Manifesto was written on a piece of paper that was colored in the famous International Klein Blue seen in Klein’s blue paintings. This French art movement was founded in October of 1960. Restany was a key figure for the development of the Nouveau réalisme movement. Klein Was a Member of the Nouveau Réalisme Movement Constitutive Declaration of New Realism, 1960, via Yves Klein’s Websiteĭuring his exhibition called Yves, paintings in Paris, Klein met the art critic Pierre Restany. The artist also knew a lot about Buddhism and Buddhist teachings.Ģ. Klein was so drawn to their philosophy and ideas that he started getting lessons by mail from the Rosicrucian Society in California. When he was nineteen years old he read Cosmogonie by Max Heindel – a book that was considered important for the Rosicrucian Order. Yves Klein also learned about the mysticism of the Rosicrucian order and read works written by the philosopher Gaston Bachelard. It’s worth noting that the school was designed in monochrome colors we see in Klein’s artworks.Īnthropometry: Princess Helena by Yves Klein, 1960, via MoMA, New York Klein even wrote a book on the foundations of Judo and wanted to become a judo teacher, so he opened his judo school in 1955. At the time, he was the only French person to have one. Five years late he even traveled to Japan for training and received a fourth dan blackbelt. His mother, Marie Raymond, was a well-known abstract painter, and his father, Fred Klein, created figurative paintings.ĭespite his artistic roots, Klein wanted to be a judoist at first. He was born into a family of artists in 1928. Yves Klein was inspired by many things and found spirituality in his judo practice, Christianity, and mysticism. Yves Klein Was a Very Spiritual Artist Yves Klein by Ida Kar, 1957, via National Portrait Gallery, London Gold leaf was then daubed on it to make stars.Ĭolour is magical, colour is divine - you can’t blame Anish Kapoor or his critics for going mad for Vantablack.1. In the middle ages, it was mined there and traded at enormous prices to create European images of the blue heavens. This mineral that creates the colour ultramarine has only ever been found in Afghanistan. Long before Klein created IKB, painters and their patrons paid through the nose for the rarest of pigments, lapis lazuli. It was in reality a con trick concocted by a painter called Ann Provis, who had a good laugh at the men of the Royal Academy. In the 18th century, leading artists including Benjamin West and Joshua Reynolds paid through the nose for the right to use “Titian’s shade”, a mixture of ivory black and Prussian blue that was supposed to be the Venetian master’s secret colour. Black itself has always tantalised painters. But artists can’t be blamed for getting their heads in a twist over a colour. This creator of sublime chromatic effects is just the guy to make Vantablack look like the new black. In other works, conversely, he paints the ground such an unreflecting black that it appears to be a hole leading deep into the earth. In some of his most beguiling works, he fills holes and voids with colour to create the powerful illusion that you are looking at a flat surface, until you put your hand into the empty blue space.
With all due respect – not much, really – to the minor painters who are kicking up a fuss, Kapoor is an ideal artist to experiment with this freaky black.
It is a clever move by NanoSystems to associate their material with the greatest colourist in 21st-century art. Kapoor has been working with Vantablack since 2014. Derek Jarman used it in his film Blue and performance artists The Blue Man Group cover themselves with it. He splashed it on to nude models in a performance piece that was sexist even by 1960s standards.
Benjamin moore color match yves klein blue series#
In 1960, the French artist Yves Klein took out a patent for International Klein Blue (IKB), a deep, matt shade of blue that he developed with a Paris paintmaker and used in a series of monochrome blue paintings. This is not the first time an artist has claimed a unique bond with a particular colour. International Klein Blue … the Blue Man Group daub themselves in Yves Klein’s bespoke colour.
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